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Taṃ pana vaṇṇato setanti olokentassa na upaį¹­į¹­hāti,But if he looks at it, [apprehending it only] by its colour as white, it does not appear to him [with its individual essence as repulsive],

odātakasiṇasambhedo hoti.but only as a variant of the white kasiṇa.

Tasmā aį¹­į¹­hikanti paį¹­ikkÅ«lavaseneva oloketabbaṃ.Consequently he should only look at it as ā€˜a skeleton’ in the repulsive aspect.

Liį¹…ganti idha hatthādÄ«naṃ nāmaṃ.ā€œMarkā€ is a term for the hand, etc., here,

Tasmā hatthapādasÄ«saurabāhukaį¹­iÅ«rujaį¹…ghānaṃ vasena liį¹…gato vavatthapetabbaṃ.so he should define it *by its mark* according to hand, foot, head, chest, arm, waist, thigh, and shin.

DÄ«gharassavaį¹­į¹­acaturassakhuddakamahantavasena pana saṇṭhānato vavatthapetabbaṃ.He should define it *by its shape*, however, according as it is long, short, square, round, small or large.

Disokāsā vuttanayā eva.*By its direction and by its location* are as already described (§39–40).

Tassa tassa aṭṭhino pariyantavasena paricchedato vavatthapetvāHaving defined it *by its delimitation* according to the periphery of each bone,

yadevettha pākaį¹­aṃ hutvā upaį¹­į¹­hāti, taṃ gahetvā appanā pāpuṇitabbā.he should reach absorption by apprehending whichever appears most evident to him.

Tassa tassa aṭṭhino ninnaṭṭhānathalaṭṭhānavasena pana ninnato ca thalato ca vavatthapetabbaṃ.But it can also be defined *by its concavities* and *by its convexities* according to the concave and convex places in each bone.

PadesavasenāpiAnd it can also be defined by position thus:

ahaṃ ninne į¹­hito, aį¹­į¹­hi thale,ā€œI am standing in a concave place, the skeleton is in a convex place;

ahaṃ thale, aį¹­į¹­hi ninnetipi vavatthapetabbaṃ.or I am standing in a convex place, the skeleton is in a concave place.ā€

Dvinnaṃ pana aṭṭhikānaṃ ghaṭitaghaṭitaṭṭhānavasena sandhito vavatthapetabbaṃ.It should be defined *by its joints* according as any two bones are joined together.

Aṭṭhikānaṃyeva antaravasena vivarato vavatthapetabbaṃ.It should be defined *by its openings* according to the gaps separating the bones.

Sabbattheva pana ñāṇaṃ cāretvā imasmiṃ į¹­hāne idamaį¹­į¹­hÄ«ti samantato vavatthapetabbaṃ.It should be defined *all round* by directing knowledge to it comprehensively thus: ā€œIn this place there is this skeleton.ā€

Evampi nimitte anupaį¹­į¹­hahante nalāṭaį¹­į¹­himhi cittaṃ saṇṭhapetabbaṃ.If the sign does not arise even in this way, then the mind should be established on the frontal bone.

Yathā cettha,And in this case,

evaṃ idaṃ ekādasavidhena nimittaggahaṇaṃ ito purimesu puįø·avakādÄ«supi yujjamānavasena sallakkhetabbaṃ.just as in the case of those that precede it beginning with the worm-infested, the apprehending of the sign should be observed in this elevenfold manner as appropriate.

IdaƱca pana kammaį¹­į¹­hānaṃ sakalāyapi aį¹­į¹­hikasaį¹…khalikāya ekasmimpi aį¹­į¹­hike sampajjati.This meditation subject is successful with a whole skeleton frame and even with a single bone as well.

Tasmā tesu yatthakatthaci ekādasavidhena nimittaṃ uggahetvāSo having learnt the sign in anyone of these in the eleven ways,

ā€˜ā€˜aį¹­į¹­hikapaį¹­ikkÅ«laṃ aį¹­į¹­hikapaį¹­ikkÅ«la’’nti manasikāro pavattetabbo.he should bring it to mind as ā€œRepulsiveness of a skeleton, repulsiveness of a skeleton.ā€

Idha uggahanimittampi paṭibhāganimittampi ekasadisameva hotīti vuttaṃ,Here the learning sign and the counterpart sign are alike, so it is said.

taṃ ekasmiṃ aṭṭhike yuttaṃ.That is correct for a single bone.

Aį¹­į¹­hikasaį¹…khalikāya pana uggahanimitte paƱƱāyamāne vivaratā.But when the learning sign becomes manifest in a skeleton frame, what is correct [to say] is that there are gaps in the learning sign

Paį¹­ibhāganimitte paripuṇṇabhāvo yujjati.while the counterpart sign appears whole.

Ekaṭṭhikepi ca uggahanimittena bībhacchena bhayānakena bhavitabbaṃ.And the learning sign even in a single bone should be dreadful and terrifying

Paṭibhāganimittena pītisomanassajanakena, upacārāvahattā.but the counterpart sign produces happiness and joy because it brings access.

Imasmiṃ hi okāse yaṃ aṭṭhakathāsu vuttaṃ, taṃ dvāraṃ datvāva vuttaṃ.What is said in the Commentaries in this context allows that deduction.

Tathā hi tattha ā€˜ā€˜catÅ«su brahmavihāresu dasasu ca asubhesu paį¹­ibhāganimittaṃ natthi.For there, after saying this, ā€œThere is no counterpart sign in the four divine abidings and in the ten kinds of foulness;

Brahmavihāresu hi sīmasambhedoyeva nimittaṃ.for in the case of the divine abidings the sign is the breaking down of boundaries itself,

Dasasu ca asubhesu nibbikappaṃ katvā paį¹­ikkÅ«labhāveyeva diį¹­į¹­he nimittaṃ nāma hotī’’tiand in the case of the ten kinds of foulness the sign comes into being as soon as the repulsiveness is seen, without any thinking about it,ā€

vatvāpi puna anantaramevait is again said, immediately next:

ā€˜ā€˜duvidhaṃ idha nimittaṃ uggahanimittaṃ paį¹­ibhāganimittaṃ.ā€œHere the sign is twofold: the learning sign and the counterpart sign.

Uggahanimittaṃ virÅ«paṃ bÄ«bhacchaṃ bhayānakaṃ hutvā upaį¹­į¹­hātī’’tiādi vuttaṃ.The learning sign appears hideous, dreadful and terrifying,ā€ and so on.

Tasmā yaṃ vicāretvā avocumha,So what we said was well considered.

idamevettha yuttaṃ.And it is only this that is correct here.

Apica mahātissattherassa dantaį¹­į¹­hikamattāvalokanena sakalitthisarÄ«rassa aį¹­į¹­hisaį¹…ghātabhāvena upaį¹­į¹­hānādÄ«ni cettha nidassanānÄ«ti.Besides, the appearance of a woman’s whole body as a collection of bones to the Elder Mahā-Tissa through his merely looking at her teeth demonstrates this here (see I.55).

Iti asubhāni subhaguṇo, dasasatalocanena thutakitti; Yāni avoca dasabalo, ekekajjhānahetunÄ«ti.The Divine Ruler with ten hundred eyes Did him with the Ten Powers eulogize, Who, fair in fame, made known as cause of jhāna This foulness of ten species in such wise.

Evaṃ tāni ca tesaƱca, bhāvanānayamimaṃ viditvāna; Tesveva ayaṃ bhiyyo, pakiṇṇakakathāpi viƱƱeyyā.Now, knowing their description and the way To tackle each and how they are developed, There are some further points that will repay Study, each with its special part to play.
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